Tag Archives: USA

Total Eclipse of the Part… of the World I Live In

What are you doing? Don’t look at me; look at the sun! It’s not often that I can say that in earnest sincerity, but in case you’ve been hiding away or stranded in the wilderness with no network connectivity (it would be more embarrassing if you were stranded with it), then allow me to tell you that there is a total solar eclipse – where the Moon passes between the Earth and the Sun – making its way across North America on this hopefully clear skied August 21, 2017. So grab your properly produced eclipse viewing glasses and step outside to gaze upward when the moon makes its lineup with the big, burning, bright ball in the sky in your area. For more information on that and more regarding this awesome astronomical event, check out NASA’s website here. The next time such a sight will occur again for this section of the Earth will be in 2024, so make sure to make the most of it now because who wants to have to wait for seven more years?

Plan your lunch break accordingly,

Alex

State of the Season 12 – Rock and Roll, Reading, and Remembering

Hello and welcome to any and all who find themselves here! As is customary for my every 13th post I look back at the last 12 for a retrospective of the previous “season” of this blog. Let’s hop to it!

Back on May 8th, I tossed the second of my four-part inspection of the T-shirt worn by Jeff Ament of Pearl Jam at the Rock and Roll Hall of Fame Induction Ceremony. This was followed by the final two parts over the next couple of weeks. Ament’s shirt contained a list of names of bands and artists he and his bandmates feel deserve inclusion into the Rock Hall. Some I know and agree with, others I was less familiar with. In an effort to educate myself further on all these acts, I listened to a cut of each act’s discography and sought the best (or my favorite) of the bunch to feature.

“Waiting in the Wings of Rock and Roll – Vol. 2”

“Waiting in the Wings of Rock and Roll – On Being the Third Part of Jeff Ament’s Rock and Roll Hall of Fame Shirt”

“Waiting in the Wings of Rock and Roll – The Final Chapter”


“Never Forget Our Heroes” is my Memorial Day post that attempts not to remember fallen soldiers and service members, but those translators who have been forgotten by the US government in the mire of political bureaucracy. This came from a featured segment on Last Week Tonight with John Oliver that I include.


“With a Little Help from My Friends” – I was committed to sticking to my original plan to release a celebration of The Beatles for the anniversary of their most famous album. I did so even in the wake of Trump pulling the US out of the Paris Agreement, and I am pleased that so many cities, businesses, and communities have all stated that they will continue to honor the international agreement on climate change mitigation. With a little help from my friends indeed.


“Da na na na na na na na na na na na na na na na That Man!” is a eulogy of actor Adam West. Fox Animation recently churned out a video compilation of his best moments as Mayor Adam West on Family Guy:

“Paul! That’s a person’s name!”


Indeed it is, Mayor West, and it is Sir Paul McCartney who is the focus of “Happy Birthday Walrus Man!” where I listed some of the best songs written and performed by McCartney over his career with The Beatles and Wings and on his own. He’s referred to as Walrus Man because he was the walrus! Don’t believe me? Well check, check it:


“Rowling Along the Reading Rainbow” is my thanks to J.K. Rowling for writing the book (series) that got me jazzed about reading. I’ll send another shout out to her for today right here and now: Happy Birthday to you and Harry!


“The Magical Mystery Tour is Waiting to Take You Away” – There’s that Walrus again. Expanding upon my fantasy book series fandom like a literary Bran the Builder, I next turned my attention to the A Song of Ice and Fire series. The featured picture is artwork of my favorite sequence from the books, the wildling attack on the Wall. Fantastic fantasy.


While the show, Game of Thrones, does not always nail some scenes like that battle, it has put together some excellent moments, including some that did not occur in the books. You may even call these moments “Epic! Badass” as I did. Enjoy these 10 scenes that may have fallen off your radar from the first six seasons of the show.


“Astronauts Without Borders” is a celebration of the docking between Apollo 18 and Soyuz 19 that took place in 1975. It was the first time two countries planned and enacted a mission to connect spacecraft in flight and kicked off a grand partnership between the scientific communities within the USA and the USSR/Russia that continues today as it always has – separate from politics.


“Nobody Exists on Purpose. Nobody Belongs Anywhere. Everybody’s Going to Die. Come Watch TV.” – Game of Thrones isn’t the only anticipated show that’s back. Rick and Morty made their long awaited return last night on Adult Swim, and Justin Roiland and Dan Harmon and company keep finding humor in the existential dread that surrounds us all. Props especially to Chris Parnell who manages to make us pity and laugh hysterically at the plight of pathetic Jerry whose name is dragged through the mud by even the wind.

Since next Sunday is six long days away, check out the Non-Canonical Adventures of Rick and Morty to help hold you over.


In addition to this recap, I’d like to wish the best to the family of Sam Shepard, who died from ALS on July 27. An actor on the stage and screen best known for his roles in movies like The Right Stuff and Black Hawk Down, but his true passion was as a playwright. Shepard penned 44 plays and won a Pulitzer Prize for Drama with his work Buried Child. He also co-wrote some film screenplays, was nominated for an Oscar for The Right Stuff, and even played banjo on Patti Smith’s unique cover of “Smells Like Teen Spirit”. R.I.P.

Thanks for reading, watching, listening, and enduring some bad jokes in all along the way. I hope that I provide quality entertainment and ideally some education along with it; if I do, I hope that continues, but if I don’t, I hope it begins. Most of all, I hope you’ll check back in here next week for more fun.

Until next week,

Alex

Astronauts Without Borders

Once upon a time not so long ago, the United States and Russia had a high-profile meeting that was a top news story. Unlike today though, this was not a shady circumstance that cast doubt on the inner dealings of each respective government, but rather helped to improve the relationship between two nations that had been engaged in a constant and bitter show of one-upmanship with nuclear proliferation. I’m talking about the Cold War. Nevertheless, 42 years ago on this date, July 17, 1975, the United States and Russia, then called the Union of Soviet Socialist Republics, set aside their differences, at least as far as the scientific community was concerned. As the preeminent superpowers of the world and the leaders in space exploration, the US and USSR arranged for an historic high five within the vacuum of space.

Contrary to what silly stories of moon crab monsters would tell you, there actually was an Apollo 18 mission. NASA had launched seven manned lunar landing missions with its Apollo program, successfully landing six of them (Apollo 13 had a bit of a snafu).  However, the final moon mission, Apollo 17, was not the last time a Saturn V rocket shot an Apollo craft into orbit. Apollo 18 was launched in conjunction with the Soviet spacecraft Soyuz 19.

After there establishment in orbit, the two craft were lined up and then linked up, marking the first time that two craft from different countries and space agencies docked. The mission was orchestrated to serve as practice for potential rescues in the future.

The ABC coverage is pretty good at explaining the mission, but here’s the link if you want to watch the docking without the newscaster speaking.

Leave it to the men and women who work in science and especially the students of space to show us how meaningless political squabbles can be. We are all one species on the same Earth, and it is missions like this one that help us to realize that no matter whether we are on opposite sides of the world, or floating above it, we are at our best when we work together to advance our mutual pursuit of greater understanding of our place in space.

Thanks for reading and watching. If you have any questions, comments, or suggestions, launch them into my inbox at monotrememadness@gmail.com. Be sure to orbit back here next week for more out of this world fun.

I’m sure I’ve written that before and I don’t care,

Alex

With a Little Help from My Friends

The recent shameful departure of my country on the Paris Agreement on global climate change is the dominant story in the news and the most pressing issue on my mind, but I just don’t have the energy (and that is not a pun) to restate the same facts about how we humans, and especially me and mine in America, are responsible for rapidly heating up this one habitable planet we have always known, and until the ignorance of greed consumed too many of us, has been a world we loved as well. I love it still, and the billions of humans and wildlife that live upon it, which is why I worry so much. In the interests of not wishing to belabor a point that needs to be repeated, but not so much to my audience who already understands its severity, and for the sake of not wishing to deviate from my original plan for this post, I will not personally cover (at least for this week) the Paris Agreement tackbacksies that my poorly-led nation idiotically enacted, however, my favorite late night host and his team have put together another fantastic segment this time covering just that:

Thank you, John. You make it easier to endure this madness, and though I’ve never met you, I feel like you could be a friend, which is precisely what we all need through hardships and celebrations, and as it happens, it was 50 years ago last week The Beatles taught the world to cherish friends, as well as to embrace the nature of change for the better and the mixing of culture and art in one of the grandest musical contributions of all time.

On May 26,1967 in England, and June 2 in America, the greatest band to ever play music released one the greatest records ever cut. The Beatles were already at the top of the musical world as they had been for a few years thanks to their tremendous popularity with young pop rock and roll fans. Yet the group felt tired of playing music for screaming girls and wanted to make some “serious music”. They stopped touring concerts to ease their exhaustion and focus on their music. Some people were pissed about this, but regardless of those frustrations from fans and the members of the band itself, all were rewarded with a masterpiece set into motion with about 11 seconds of orchestral warm-up and ambient crowd chatter eagerly awaiting a show that strikes out of the theater noise with drums and guitar that instantly grab our attention so that we are all ears when Paul McCartney starts singing in the fabulously fictitious Sgt. Pepper’s Lonely Hearts Club Band.

Sgt. Pepper’s remains one of the most influential and unique albums of all time for a variety of reasons. It was pioneering, not just for rock and roll and pop music, but for all music, containing an assortment of instruments and musical styles that culminate in one of the most masterfully varied records, but one with a terrific flow, thanks in large part to the first time omission of the few seconds of silent space between songs. On Sgt. Pepper, Beatles producer George Martin was once again the man behind most of the technical effects that lend a certain feel to the album as a whole. The band had been experimenting with new sounds for their last few records, like Rubber Soul and Revolver, records that really allowed The Beatles to rise above the pure pop that many desired them to be. Sgt. Pepper’s was not the first instance of The Beatles breaking away from the mainstream – honestly, I’m not sure they ever were in the mainstream as much as they were paving the way for it – yet the discography of the band truly took off into an unforeseen level of the musical and cultural atmosphere with Sgt. Pepper’s Lonely Hearts Club Band. The Beatles were essentially the first band to walk on the musical Moon. They had been approaching their desired destination with their previous work, but Sgt. Pepper’s was their Apollo program, and led them and many, many others to a new world of musical production.

One fascinating example of this is in the lively album cover that depicts a wealth of celebrities from many walks of life and eras. The Nerdwriter declares it to the “Holy Grail of album covers”, and he is not wrong as the artwork is multi-layered with meaning and references to the essence of the band and its members. He explains this in one of his excellent video essays:

Sgt. Pepper’s Lonely Hearts Club Band is revolutionary in many respects, but chief among its merits is the quality of its songs and their arrangement. Rolling Stone considers it to be the best album ever made, and while its influence is undeniable and a major reason for their favoring of it, the great music and lyrics that defined The Beatles better than anything else ever could are exceptional throughout the record.

Starting off with the opening I mentioned earlier, the titular “Sgt. Pepper’s Lonely Hearts Club Band” provides a terrific introduction both as a song and the theme of the journey we are about to take. It also provides a bookended finish with a short reprisal of “Sgt. Pepper’s” as the penultimate song of the record. It was Paul McCartney’s idea to make the album’s premise be a concert sang by a fictional band. This fit his and the band’s characteristic whimsy, but also allowed them to push the envelope a little further with the safety of being able to let any controversy fall back upon the fictitious group in place of the real one. Oh that wasn’t us; that was Sgt. Pepper’s Lonely Hearts Club.

The title track segues perfectly into what is probably the most popular song on the album, and is certainly one of the band’s best songs. I mean, I did name this post after it. After his alter ego Billy Shears’ introduction at the end of “Sgt. Pepper’s Lonely Hearts Club Band”, Ringo Starr begins to sing the classic “With a Little Help from My Friends”. This is one of my favorite songs for its joyful melody, harmonious vocals, and encouraging message that friendship is the key to enjoying life through the good and bad. Despite their differences and the trials each of them were going through at the time, it is clear that The Beatles worked so well, not just on this record, but throughout the years because they were friends. This song is the epitome of that love for one another. It’s all you need after all – wait, that’s the next record.

From the epitome of friendship we roll on to the epitome of psychedelia with “Lucy in the Sky with Diamonds”. There are many references to drug use on featured within the album, including an overt one in the previous song, but John Lennon always maintained that this song was based on a drawing his son made of a girl in his class named Lucy. As one radio host on the newly launched Sirius Beatles Channel said, Lennon never shied away from discussing drugs and did write “Cold Turkey” in his post-Beatles career, so even though the nouns in the title begin with the letters LSD, drugs did not inspire this song. However, that does not mean they did not influence this song, which they almost certainly did, although not just in the trippy description of Lucy’s land as the song (an album entire) serves as an allusion to the flower power movement that saw the cultures of East and West blending together like a tie-dye T-shirt. This is certainly apparent on the one song on the album John Lennon and Paul McCartney did not write, George Harrison’s “Within You Without You” which is driven by Harrison’s sitar and other Indian instruments.

The highlight of the album for many is the closing orchestration that is “A Day in the Life”. I say orchestration because Martin and The Beatles brought in an actual orchestral arrangement to play the unnerving transitions between the two wildly distinctive tones of the song. The reason for these drastically different pieces from Lennon and McCartney is simple as they began as two different songs. Lennon needed something to connect his song that was inspired by stories in a newspaper, and McCartney offered a separate song he had been working on and they sandwiched it in and spread the orchestra to make it more cohesive. The final piano note was actual multiple pianos played simultaneously and then stretched out by Martin in the sound mixing booth. The end result is a slightly disturbing note of finality to a slightly disturbing song that perfectly punctuates the album.

The album has a perfect transition from song to song which is all the more impressive given its great variation of styles. This could have been a magnificent failure for a lesser group, but as I’ve said before and will say again, The Beatles are the greatest band of all time and they managed to make a clash of genres and technical trials (Paul McCartney is credited with playing a “comb and tissue paper”) into their defining work… until next year’s release of their best album, but we can talk about that next year. Sgt. Pepper’s Lonely Hearts Club Band was a massive success from the start and continued to establish The Beatles as the master musicians they were and deserve to be recognized as. I encourage you to listen to this and all their other albums. It’s easy to call The Beatles great, and not hard to recommend such a well loved band, but these guys are in another league. Remember when I said Sgt. Pepper’s was like The Beatles landing on the Moon? Well, their continued career took them across the universe to places other musicians can only dream of. That pun was absolutely intended, but also absolutely true. The Beatles are not my favorite band – anyone who’s read my previous posts knows that honor belongs to another British rock band – but I will defend until my dying breath that they are the best band because they are. No one is more varied, talented, and has such an extensive body of work that is as high quality as The Beatles’ discography. Also, they are my second favorite band, so it’s not like it’s hard for me to admire them, but it helps that they’re really, really good.

Thanks for reading, watching, and listening! Be sure to check out anything you can from The Beatles even if you’ve heard it all before. They certainly are worth listening to more than once. If you have any questions, comments, or suggestions, please send them to monotrememadness@gmail.com. Be sure to revolve back here next week for more hopefully good news or fun topics. Whatever I write about, I promise I’ll throw in a joke or two.

I hope you have enjoyed the show,

Alex

Never Forget Our Heroes

Happy Memorial Day, everyone. This holiday may be the unofficial start of summertime in America that allows us an opportunity to get together with friends and family for burgers and beer, as well as the harsh realization that no, it’s not warm enough to go swimming yet, but while it is good that we can observe this lighthearted enjoyment in the company of loved ones, Memorial Day has a somber reason for its existence. Memorial Day was created to recognize those who lost their lives in America’s military.

While the exact date that Memorial Day was first observed is not easy to pin down, it is apparent that it became nationally prominent in the late 1860s following the American Civil War. Since then, Americans of all ages have paid their respects to their fallen military men and women in a number of ways. Typically parades, visits to cemeteries, and the aforementioned cookout with friends are common occurrences, yet today I am turning my focus to a specific group of aides to the American armed forces who deserve our thanks and are still living, although their lives are in serious danger and we need to help them to survive as they helped our service members to survive.

Since the United States’ involvement in Afghanistan and Iraq began, there have been translators who have served as the necessary communicative link between soldiers and engineers working for the military and the native people. These translators have helped to save countless lives and now deserve to be returned the favor, however, this is far from the case as you can learn from this segment from Last Week Tonight with John Oliver:

Translators, even if they were not born or even set foot in the United States, are American heroes and deserve the easy opportunity to become U.S. citizens. We should be fast-tracking these guys and their families on that course of action if they desire it, especially considering the imminent danger most of them are in. It is inexcusable, criminal really, to force them to jump through bureaucratic hoops to realistically attain the goal of citizenship. They deserve to be recognized for their service to America by being welcomed into America. We should be raising a toast of honor to these men and women on Veteran’s Day, not a toast of remembrance on Memorial Day because the United States government did not act as valiantly to serve and save them as they did to serve and save our soldiers and engineers.

The truly frustrating thing is that this episode aired in October of 2014 but things have not vastly improved in the application process. In fact, they have only become harder. Perhaps this is something your local representative should hear about.

Thanks for reading. If you have any questions, comments, or suggestions please send them to monotremadness@gmail. com.

Alex

Just Let Me Hear Some of That Rock and Roll Music

All due respect to Elvis Presley, we lost the true King of Rock and Roll this past Saturday, March 18th. Charles Edward Anderson Berry, better known simply as Chuck Berry, graced this Earth for 90 years during which he helped create and refine Rock and Roll music by combining the best the blues, R&B, country, jazz, and swing had to offer and throwing in plenty of his own energy and electric guitar to boot. The primary influence to the first round of rock and rollers the world over, Chuck Berry was a force in the genre throughout his life, even completing another album that he announced the release of on his 90th birthday last October. This album, Chuck, will be released in the near future, but Berry’s already cemented legacy will live on forever as a rock pioneer, guitar god, and crowd pleasing entertainer. We’ll miss you, Chuck.

Berry attributed his success and the peak of the growth of rock and roll to greater radio playtime throughout the country reaching a wider audience. Indeed, Berry had a grand appeal to many whites which helped to connect black and white culture during a time of racial turmoil. He ushered in an era of vibrant new music that was infused with the essence of the genres that came before it and in doing so provided something that everyone of all walks of life could love. He especially found a following in America’s youth, who serve as the subject matter of many of his songs. Young Americans flocked to the fast-paced, guitar and piano-fueled mania of early rock, and Berry and his fellow first generation rock and rollers like Little Richard, Jerry Lee Lewis, and Elvis. Of course it was not just Americans who raved over Berry and his buds as every major act of the British Invasion was heavily influenced by them, with many scoring hits of covers of Berry’s songs. Ever heard of these guys?

It did not stop there either. The years went on, rock and roll evolved and incorporated new sounds and sensations, branching off into styles like psychedelia and birthing other genres like hip-hop, yet artists continued to aspire to follow Chuck Berry’s shining example of how to capture the essence of rock and roll. Just as every test pilot wanted to be Chuck Yeager, every girl and boy with a guitar wanted to be Chuck Berry. The greatest guitarist of all time, Jimi Hendrix, played some Berry tunes, most notably Berry’s best known hit “Johnny B. Goode”. AC/DC covered “School Days” and called for all of us to Hail Hail Rock and Roll in their own brutal powerchords. George Thorogood and the Destroyers did a rollicking rendition of “It Wasn’t Me”. Softer acts like Nina Simone and Linda Ronstadt gave some of Berry’s songs a go, and ELO had a hit with their always inventive style worked into Berry’s “Roll Over Beethoven” featuring some of the eponymous composer’s own opus. Rod Stewart made his own version of “Memphis, Tennessee” with The Faces. Hell, even Motorhead paid their dues to the man and brought Berry into metal with “Let It Rock”.

Berry’s riffs may have been basic in composition, but the now familiar formula they follow make it so that his music serves as the building blocks of rock and roll music. Furthermore they are easily transferable to any style of music, as you can hear from any of the aforementioned covers (and any of those not mentioned). Nowhere is this better proven though than in the classic scene from Back to the Future (1985) that has been the source of many amusing musings on Berry’s life. Through an enthusiastic Marty McFly, Michael J. Fox (and Mark Campbell who is doing his singing, and Tim May with the guitar) show us the 30 year evolution of rock and roll in three minutes complete with a clever time travel related reference to the man who made all this music possible.

Honestly, he was doing everything Chuck Berry would have done up until he starting leaping and shredding like Eddie Van Halen, but hey, Chuck Berry’s indelible impression is found in that joyous noise from the 1980s too. Through his long and illustrious career, Chuck Berry made a name for himself not only as a great musician, but as a stage presence who demands to be seen as much as heard. He was natural at engaging an audience and entertained all with his humor, honesty, and signature duck walk – the oft copied, never duplicated solo strut that is synonymous with Berry. You can see it and his many other exploits on display in these clips from live performances over the years:

You know you are popular when everybody wants to play alongside of you. Over the years, many who grew up loving Berry were able to share the stage with him at one point or another. Keith Richards got that wish granted much to his excitement considering he has said that Chuck Berry made The Rolling Stones. He was the one who got to induct Berry into the Rock and Roll Hall of Fame’s first class in 1986. Chuck Berry was actually the first person to be inducted into the vaunted Rock Hall, and his legacy shows why. He shared the honor of being in the inaugural class with Buddy Holly, Elvis Presley, The Everly Brothers, Fats Domino, James Brown, Jerry Lee Lewis, Jimmie Rodgers, Jimmy Yancey, Little Richard, Ray Charles, Robert Johnson, Sam Cooke, talent scout (and not dinosaur park owner) John Hammond, producer Sam Phillips, and disc jockey Alan Freed. That’s quite a class to be at the top of!

The Rock Hall wrote a great biography of Berry, including a clip of his induction which I encourage anyone who enjoys Keith Richards high to watch.

Beyond his influence on other artists, Berry had some scintillating songs that are essential for any rock and roll fan to hear. In addition to those already mentioned, be sure to check out these terrific tunes:

“Maybellene” – One of the first rock and roll songs, Berry’s first hit was a reworking of  a song called “Ida Red”. Berry livened it up with music and lyrics that became the standard for other rock songs of the early rock era.

“Brown Eyed Handsome Man”

“I’m a Rocker”

“Woodpecker” – This instrumental piece takes an easier pace than most of Berry’s lightning striking introductions and riffs and remains one of his more jazzy and unique song.

“No Particular Place To Go” – I first heard this as a kid in a commercial for a Power Wheels car. You remember those toy cars that kids could drive? Those were the envy of every child’s eye when I was a wee lad, and I was fortunate enough to get one for Christmas one year… until the goddamn battery died and the electric system fizzled out and I was left with a oversized Hot Wheels car too heavy for child me to push out of the garage. Anyway, I grew to love this song which details an evening of teenage love that never really gets anywhere because the narrator cannot unbuckled his date’s seatbelt.

“School Days” – Sounds familiar, doesn’t it? Nobody said that Chuck Berry was a widely varied artist, but when you invent the go-to licks for rock and roll, you can run through them as much as you need. I mentioned the AC/DC cover earlier, but this song bears repeating for its encapsulation of the musical zeitgeist of the days of early rock.

“Run, Run Rudolph” – One of the few songs that I look forward to hearing every Christmastime, this original seasonal song has stood the test of time as a classic in both rock and holiday music.

“Shake, Rattle, and Roll”

“Soul Rockin'”

“Little Queenie” – If you’ve heard T. Rex’s hit “Bang a Gong (Get It On)” then you’ve heard a part of “Little Queenie”. The riff is taken from Berry’s song, as are the closing lyrics, “Meanwhile, I’m still thinking….”

“Almost Grown”

“You Can’t Catch Me” – I love The Beatles, but I do not love all of their songs. The most played of their that I just cannot get on board with is “Come Together”. You may feel differently, but no matter what you think of the song, it has some Chuck Berry influence. Like some of their other non-sequitur songs from the era, The Beatles drew upon many pop culture references to fill the cryptic lyrics, and “Come Together” has some of “You Can’t Catch Me” in it, namely old Flattop.

“Back in the U.S.A.” – The Beatles once again drew upon Chuck for inspiration when they twisted this song’s title to be a little more Russian. The lyrics of their superior “Back in the U.S.S.R.” are mostly a parody of The Beach Boys though. Then again, where did The Beach Boys get their soul-of-American-youth-summer-jams style from?

“Thirty Days”

“Route 66” – Being a native of St. Louis, Missouri, Berry undoubtedly took a few trips down the legendary highway that runs from his hometown to Los Angeles, California.

“You Never Can Tell” – Who knew this would be a hit that would be covered by numerous artists and danced to so successfully by Uma Thurman and John Travolta? C’est la vie say the old folks….

“Reelin’ and Rockin” – This song makes for great rock and roll and the title makes for good fishing advice.

“Johnny B. Goode”– The song that is synonymous with Chuck Berry and early rock and roll. Covered by countless individuals, professional and amateur musicians alike, and brilliant featured as one of the most memorable movie moments ever, Berry’s song about a little country boy with a natural talent to play the guitar is one of the greatest songs ever made. Originally, the lyrics were going to be “little colored boy” but Berry changed them to avoid it being shunned by disc jockeys afraid of potentially poor or angry reception. the song is partly about Berry himself, but mostly based on his bandmate Johnnie Johnson, who gave Berry his big gig and eventually let Berry take charge of his band since he recognized the natural talent he had not just at playing and writing music, but at energizing the crowd.

This song also has the honored distinction to be the only rock and roll song on the Voyager Golden Record. The phonographic record included on both Voyager spacecraft features a selection of images and sound recordings, with music from around the world to showcase the varied cultures on Earth to whomever finds the records. Whether it be intelligent extraterrestrial life or humans in the far future, the recoverers of the Golden Record will be able to hear Chuck Berry’s best song. This opportunity almost did not happen though, as many on the selection panel that decided the Record’s content thought rock and roll was “adolescent”. Fortunately Carl “Sick Burn” Sagan pointed out “There are a lot of adolescents on the planet.” Damn Carl, that’s you tell ’em!

Chuck Berry left a lasting legacy of music, but his impact on others both musically and culturally, especially in helping incorporate harmony in the diverse youth of America, is what really raises him up to the level of icon. His death was not by any means sudden, and he certainly lived a full life, but he will still be missed by his many adoring fans. Thanks for the music and memories, Chuck Berry!

Thanks for reading and listening! Please send any questions, comments, and requests to monotrememadness@gmail.com. Rock and roll on back next week for what will hopefully not be another eulogy for one of my heroes.

Hail! Hail! Rock and Roll!

Alex

 

A Super Show of Support

Boy, those birds sure can blow it against the Patriots! Last night, the same old stuff from New England won the Super Bowl once again, this time in the championship game’s first ever overtime contest at the expense of the shoulda, coulda, woulda Atlanta Falcons. The Falcons had the Pats dead to rights, leading by 25 points in the second half, but they just could not put the game away. The ending of the game may have been rougher for the Seattle Seahawks to see, as the Patriots won by handing the ball off to their reliable running back at the goal line to score the game-winning touchdown, something every team’s 12th man knew the Seahawks should have done against New England just two Super Bowls ago.

Last night’s game had one the most incredible finishes in football history, let alone Super Bowl history, but overall it still ranks behind the big game from nine years ago. The monumental stakes of the 2008 Super Bowl XLII matchup of the we-do-this-all-the-time Patriots and the New York Giants were greater than any other. The Pats were undefeated at 18-0 and looked like they could steamroll anyone, and they had already beaten the Giants to add to that reputation. However, the game was close the whole way, and the Giants put together a bonkers final drive highlighted by this unbelievable play and ensuing touchdown:

But I didn’t come here to talk about the game, oh no. I came here to talk about the halftime show and the commercials! Just not in the away I normally would. Instead of watercooler talk of what commercials were the funniest (not really any of them) or which part of the halftime festivities featured the weirdest wardrobe (or lack thereof – thanks Janet!), today I want to discuss a bit about the tone of the these forms of entertainment. The normally routine chuckle-worthy advertisements and spectacle-centered singing show were still present, yet mostly set aside to profess a message of peace, equality, and inclusiveness.

Coca-Cola, Budweiser and most poignantly, 84 Lumber of all merchandisers, all pressed points for the importance of opening your arms to people. These points were further exemplified by halftime performer, Lady Gaga whose rooftop diving entrance kicked off with an extremely abridged version of “God Bless America” and “This Land is Your Land” and an excerpt from the Pledge of Allegiance,

One Nation under God, indivisible, with Liberty and Justice for all.

We Americans have really put that “indivisible” part to the test over the years – if you thought last year’s election was bad, you wouldn’t believe what we did in the 1860s! The American Civil War was fought for everything else in that back half of the pledge: keeping the US as one nation, with liberty and justice for all, including the people who had been wrongfully considered property for too long. We have come a long way since then, and while freedom has been extended to many more than before, we still have trouble keeping the whole New Colossus theme that is emblazoned on the Statue of Liberty. The famous sonnet from poet Emma Lazarus features the memorable declaration from Lady Liberty:

“Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!”

Thankfully, in the midst of fear pointed in the wrong direction, there are many who stand with smiles of welcome to people whose only real difference with them is where they were born. We are all humans, and we are all deserving of the rights granted by the United States’ Constitution, not by virtue of having filled out forms, or by having been lucky in where your mother gave birth to you, but because every human is worthy of those rights. There is nothing more elaborate to it. All people deserve respect and the opportunity to make this world a better place. I know not everyone chooses to do this, and I’m not saying that people desiring to be American citizens should not bother with applying for citizenship. By all means, I encourage you to go through the necessary channels to officially be recognized as a citizen of this country because you, the persevering immigrant are what continues to make America great, now as ever. Nevertheless, under no circumstances should you be denied the chance to apply for citizenship. There is no need to make the process more tedious with the aim to weed out certain groups, and an all-out ban is damnably unconstitutional. That is not America, because we are the nation that opens the door, not slams it shut.

Thanks for reading! Direct any comments or questions to monotrememadness@gmail.com, and be sure to rappel down this way again next week.

O beautiful for spacious skies,

Alex